县衙建筑与内景陈设

回溯：S1-01、02、04、06；门堂与内院关系另见S1-08。

A cinematic wide establishing shot inside a Ming dynasty county yamen, coastal Fujian, 1643. View through a three-bay ceremonial gate toward a long restrained courtyard, symmetrical low office wings for the six departments, a stone warning stele pavilion, a raised main hall at the far end, weathered granite plinths, grey brick, limewashed walls, dark timber columns and aged clay roof tiles with restrained southern eaves. A sedan chair has just stopped outside the gate; two files of yamen runners stand along the sides leaving a broad empty central processional path, local gentry wait off-axis beside the hall steps. Low dusk sunlight grazes roof tiles and damp stone, cool sea-air shadows in the gate passage, muted grey-green and brown palette with small faded red accents. Rain stains, salt bloom, moss only at joints, polished threshold stone, no theme-park cleanliness. Eye-level 24mm lens, natural proportions, 16:9. No Qing features, no Manchu script, no palace-lantern strings, no giant palace complex, no concrete film-set texture, no electric lights, no readable modern text.

回溯：S1-09、11、13、14、15、16；禁止圆桌和全屋均匀橙光。

A night banquet in a modest side hall of a Ming dynasty county yamen, coastal Fujian, 1643, cinematic realism. An elongated timber reception hall, wider than its depth, with dark wooden columns and a side passage for attendants. Three long huanghuali tables form a shallow U-shaped arrangement, never a round dining table; high-back yokeback chairs and stools with low footrests, small porcelain wine cups, shallow dishes, a wine ewer and simple fruit platters, one small landscape table screen, no oversized throne. Two tall candle stands create distinct warm pools of light at the front-left and rear-right of the main table, wax dripping into trays, faces half lit and half in natural shadow, a cold grey doorway at the edge. Honey-brown highlights, dark tea-colored wood, muted celadon and white porcelain, one restrained crimson robe, deep brown-black background. Slightly worn table corners, smoke staining above candles, no red fabric everywhere. 35mm lens, medium-wide group composition, 16:9. No Qing costumes, no kang platform, no Manchu plaques, no palace-lantern strings, no round banquet table, no electric illumination, no glossy modern furniture, no hotel banquet hall.

保持场2房间、桌案、椅子、小屏和两座高烛台的位置不变。

The same Ming dynasty side-hall banquet in coastal Fujian, 1643, now frozen in a moment of exposure and silence, continuous with the previous scene. Preserve the shallow U-shaped long-table arrangement, dark timber hall, yokeback chairs, small table screen and two tall candle stands in exactly the same positions. An elderly gentry host stands beside the main table holding a wine cup, an old father sits rigidly in a high-back chair, the false magistrate leans forward above a cup, a porcelain wine ewer stops mid-pour, a woman’s chopsticks remain motionless. Leave a large quiet dark area behind them; no melodramatic spotlight. Candlelight is slightly reduced but comes from the same practical positions, warm glints on a wine-cup rim, a drop of sweat and the ewer mouth, background falling into brown-black and muted grey. Cold white porcelain punctuates the murky honey and tea palette. Wine stains, cup-ring marks, worn wood, leftover dishes, subtle film grain. Tense 50mm medium shot with deep focus, 16:9. No change of room, no blue horror lighting, no Qing furniture, no kang, no palace lanterns, no round table, no electric light, no theatrical dry ice.

小陶油灯为C级设计推演；未获得合格晚明民用油灯馆藏图。

A private rear hall of a Ming dynasty county yamen at night, coastal Fujian, 1643, smaller and lower than the reception hall. In the front two-thirds, five people crowd around one long late-Ming huanghuali painting table used for dividing gifts: an abacus, curled account books, loose silver, folded paper packets and a few worn gift boxes. Simple yokeback chairs and stools, one small ceramic oil lamp with an exposed wick at the left side of the table illuminating abacus beads, paper and hands, faces fading naturally into darkness at the far end. In the rear third, a half-open side door reveals only the front alcove and plain gauze curtains of a canopy bed, never a full imperial bedroom. Brown-black timber, aged ivory paper, dull silver, faded grey cloth, subtle humid sheen on the floor. Ink marks and cup rings on the tabletop, polished abacus frame, worn bedposts, restrained lived-in detail. Intimate 35mm composition, deep shadows, 16:9. No Qing kang, no ornate golden bed curtains, no glass lampshade, no electric fill light, no palace-lantern strings, no modern office, no oversized palace bedroom.

回溯：S1-07、08；有顶窄廊必须有可扶的墙，不做园林游廊。

A narrow covered side corridor outside the banquet hall of a Ming dynasty county yamen at night, coastal Fujian, 1643. The corridor is about four times longer than its width, with dark timber columns, aged grey roof tiles, a half-height parapet, worn brick-and-stone paving and a solid plastered wall turning at a side door. Five exhausted people walk away from the feast; the false magistrate supports himself briefly against the wall, figures passing between column shadows. A diminishing patch of warm candlelight leaks from the banquet-hall doorway, one small distant hand-held lamp grazes the column bases, the courtyard beyond holds only soft cool-grey night ambience. Blue-grey roof tiles, damp dark wood, muted green-grey stone, a small trace of honey light from inside. Moist stains at column feet, salt bloom, moss in joints, polished stone edges, restrained humid coastal aging. Tracking shot at shoulder height, 28mm, natural darkness with readable faces near the doorway, 16:9. No rows of glowing palace lanterns, no modern sconces, no electric fill, no Qing details, no garden-theme-park corridor, no concrete set, no fog machine, no heavy cyan color grade.

只改变时间与光位，保留场1的门、两厢、戒石和正堂关系。

The identical Ming county-yamen ceremonial gate and courtyard from scene 1 at night, coastal Fujian, 1643, same gate bays, office wings, warning stele pavilion and raised main hall. The sedan-chair area is now empty, doors and columns form layered silhouettes, two shielded candles at the gate lodge and a very small warm light in the distant hall, damp stone reflecting sparse highlights, cool grey sky, weathered brick and salt-stained walls. Quiet, administrative and threatening rather than palatial, 24mm locked-off wide shot, 16:9. No palace-lantern strings, no electric floodlight, no modern gate lamps, no Qing flags or Manchu writing, no clean tourist-site lighting.