明代闽地乡绅、宗族富户
与一宅主仆服饰

造型要点：深青/玉色暗纹道袍内摆、净中单、小型古绦钩、小折扇、素竹杖；不在日常穿补服。

late Ming retired high official living as local gentry, Chongzhen era circa 1643, Quanzhou coastal Fujian, elderly composed man, dark teal subtle-pattern gauze daopao, straight collar right closure, wide sleeves with gathered cuffs, side slits concealed by inner panels, immaculate white inner robe, black jin cap over a small hair-net, deep aubergine silk cord with a small antique belt hook, black cloth shoes, small folding fan with dark bamboo ribs, plain polished bamboo staff, restrained luxury, dry clean fabric, ancestral residence reception hall, historically grounded, cinematic realism

造型要点：更新更亮的细纱直身外摆，或时髦曳撒；一件海贸小物，不堆满进口物。

wealthy late Ming maritime merchant without official degree, Quanzhou 1643, fashionable outer-panel zhishen robe in new lustrous pale silk, visible side outer panels, neat small cap, silk cord sash with modest small fitting, one imported tortoiseshell accessory or agarwood fan pendant, gold-flecked paper folding fan, confident host gesture, richer and newer fabric than the retired official, no official rank badge, no jade rank belt, humid coastal reception room, subtle maritime trade atmosphere, photorealistic historical costume

造型要点：布绢袍、素竹杖、族谱钥匙；木屐只在内宅版本添加。

elderly Ming clan elder without official rank, plain dark ramie-and-silk robe, modest cloth sash, simple soft cap, restrained silver hair-net fittings, polished qiong bamboo staff, holding a genealogy book and a small cabinet key, seated beside ancestral portraits rather than wearing a fantasy elder uniform, no court beads, no dragon-head cane, Fujian clan hall interior, quiet authority through seating and attendants, realistic late Ming material culture

内宅变体追加：bare freshly washed feet in simple wooden clogs, indoor corridor, soft wooden clog sound suggested visually, informal private moment。

late Ming gentry family's young son, smaller proportioned clean silk-and-ramie robe appropriate to age, simple bound hair suitable for a boy, holding a book or writing brush, seated while a young attendant stands behind, no miniature official hat, no rank badge, no adult beard, no heavy jewelry, Quanzhou family study, warm natural daylight, historically grounded child costume, cinematic realism

造型要点：日常与礼服分开；以下为日常主母，不自动凤冠霞帔。

late Ming gentry matriarch, circa 1640, long pale ao jacket with stand collar and right closure over a two-panel pleated skirt with flat front and back panels, composed seated posture, small refined ji-ji hair cover (small structured Ming hair cover over the bun, not a full crown) with a few silver-gilt hairpins, modest earrings and silver bracelet, hands quietly folded, key to household storage held by a close maid behind her, no empress phoenix crown, no Qing court beads, restrained aristocratic dignity, historically realistic portrait lighting

正式礼服版本另加“按品级庆云冠、深青霞帔与对应帔坠”，不要把日常版直接换一顶皇后凤冠。

wealthy late Ming merchant's wife, fine silk ao jacket and pleated skirt, sleeveless bijia vest with narrow shoulders, front opening, side slits and red edging, delicate metal buttons, refined small hair cover with a few silver-gilt pins and one floral ornament, narrow silk hand towel in sleeve, round fan, one small imported tortoiseshell comb in the dressing case, elegant but not an official titled lady, no phoenix crown, no xiapei, Quanzhou inner chamber, humid summer light, realistic textile detail

widowed elderly Ming clan matriarch in informal daily dress, older-style cross-collar ao jacket and long skirt in muted ramie fabric, simple low hair bun with a plain silver pin and dark soft head wrap, genealogy account book and small storage keys, optional small Buddhist prayer beads only if devout, no mandatory white mourning clothes, no oversized beads, no dragon cane, authoritative but physically aged, inner residence, historical realism

young married woman in a late Ming wealthy household, fashionable long silk jacket with stand collar and one or two small buttons, sleeveless bijia over the jacket, pleated skirt, tasteful hairpins without a full official headdress, folding fan or narrow hand towel, fashionable yet situated within the same garment system as the legal wife, no arbitrary pink concubine uniform, no official xiapei, no phoenix crown, Quanzhou 1643, cinematic historical portrait

unmarried daughter of a late Ming Fujian gentry family, simple small hair buns with one modest pin, light ao jacket and pleated skirt, smaller and less elaborate hair arrangement than the married women, hand towel or beginner needlework, no adult phoenix crown, no full married-woman headdress, no adult glamour makeup, historically grounded, soft window light

女童版追加：young child proportions, double loops or small simple buns, playful object rather than seductive pose, flat safe shoes。

late Ming household steward in a wealthy Fujian residence, clean indigo cloth zhiduo with straight collar right closure and no outer side panels, small informal cap, plain cloth sash, neat cloth shoes, holding a name card, account book and a small set of cabinet keys, standing slightly behind and to the side of the seated master, no yamen runner insignia, no oversized key ring, no abacus hanging from belt, restrained competent presence, historically realistic

late Ming powerful household's outer-court retainer, fresh silk robe with a broad round Ming bo-li style brimmed hat, slightly sloping brim and rounded crown, confident almost intimidating posture, holding a visitor's name card or lantern, clothing displays the master's power rather than a modern servant uniform, no Qing official hat, no yamen badge, no red county vest, evening gate light, historically grounded realism

late Ming young book attendant, plain silk-and-ramie zhiduo, simple cap, cloth sash, clean sandals and socks, carrying a book case and qin wrapping while following a literatus, youthful proportions, modest but well-kept clothing, another ordinary houseboy in patched short jacket for contrast, no official scholar rank robe, no fantasy pagoda accessories, Jiangnan pictorial composition adapted to a Fujian household, realistic costume

late Ming private sedan bearer or boat servant, narrow-sleeve worn cloth jacket with waist belt, practical trousers, cloth head wrap, shoulder and back posture shaped by coordinated heavy work, carrying sedan pole or boat rope, bare feet only for muddy waterfront version, otherwise simple work shoes, no imperial procession uniform, no red county vest, no mandatory leg wraps, humid Fujian waterfront, physically grounded historical realism

late Ming personal maid beside a wealthy matriarch, narrow-collar long ao jacket and long skirt, modest double-loop hair with red cord, a few plain small hairpins, holding a round fan, covered box or small mirror case, neat clothing slightly less elaborate than the mistress, attentive standing posture, no full noblewoman headdress, no Qing liangbatou, no adult makeup for the young maid version, historical domestic realism

late Ming female household servant at work, older short jacket and long skirt or practical trousers, simple bun with cloth head wrap, sleeves rolled or tied back for washing and kitchen work, damp worn fabric at cuffs and hem, wooden tub, iron or bronze household utensils, simple cloth bundle for a wet-nurse version, no modern apron uniform, no plastic tools, no modern baby bottle, humid service courtyard, physically grounded work posture, cinematic realism